WEKO3
アイテム
Resilience through Rituals
https://wako.repo.nii.ac.jp/records/4123
https://wako.repo.nii.ac.jp/records/412357a658bd-e5cd-4df1-ac9c-82a63cf422f9
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
h1406.pdf (93.6 kB)
|
|
| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-07-14 | |||||
| タイトル | ||||||
| タイトル | Resilience through Rituals | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
UENO, Toshiya
× UENO, Toshiya |
|||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper intends to survey the conceptual frameworks which deal with the scene of Electronic Dance Music (ECDM) by addressing some ethnographic topics. First, the concept of ‘resilience’ drawn from physics and engineering or the recent current of psychology is raised in order to analyze the scene of techno party instead of the notion of ‘resistance’ posited by Birmingham School in the context of Cultural Studies. Second, this essay examines with the applicability of some concepts borrowed from the philosophy by Deleuze and Guattari for the same purpose. Third, the notion of ‘generic’ is posited as the crucial moment for the formation of genres in the techno music and the specificity of position of DJs as the generic intellectual. | |||||
| 書誌情報 |
表現学部紀要 en : The bulletin of the Faculty of Representational Studies 巻 14, p. 41-51, 発行日 2014-03-11 |
|||||
| 出版者 | ||||||
| 出版者 | 和光大学表現学部 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13463470 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11523684 | |||||
| 論文ID（NAID） | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 40020039800 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
